Hallelujah The Hills

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Colonial Drones

  1. A Guide To The World's Most Fantastic Monsters

    the king rounded up all the insurgents
    listened closely to their gibberish
    for some sign of an omen or portent
    all night — all week

    soon he had collected all of their wisdom
    into a book he titled so
    A Guide To The World’s Most Fantastic Monsters
    and I read it searching for some new feeling but
    the monster that you run from doesn’t exist

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  2. The Might Come Back Club

    collect your cobwebs
    saw off your antlers
    between blizzards we are free
    the front lawn’s hosting the strangest vine growth
    that will in time entangle all we see

    devastating news-hype hand delivered
    via secret hymns
    the might come back club’s
    rites of recall are etched out on the bones of these limbs

    open your kimono you hassle magnet
    let me see what all the kids are killing for
    consulting the Fates from far northern states
    with escape routes scrawled on their back doors

    fanatics follow the freedom of fandom
    hitting straw men with plastic swords
    rip up the floor boards
    find what you’ve come for
    you’re a guest they’ll begrudgingly endure

    I was in the kitchen with the grieving uncle
    and a drinking game that only he played
    so in tender spirits he went up on the rooftop
    to chant for the flying chariot brigade

    To our amazement
    out came the horses
    who’s commanding? hell if I know
    the might come back club’s rules of order
    tell us in this case we must row
    so start rowing

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  3. Put The Gurus In Charge

    here we are where we thought we began
    lost and high and burnt out with no back up plan
    and it’s such a disgrace to leave all these kids weeping in the van

    so we’re traversing North Dakota
    using only cartoon commerce maps to navigate
    but there’s always an unlabeled tape
    lying in an unmarked box
    in an ill-kept archive
    and can you guess who that tape is keeping alive?

    the first thing to know is that you can never go back there
    the second thing to know is that I’m the one who sent you the dream
    in the basement of your house oh sunny Jean
    where you writhed and you coughed up and you screamed

    call the cops
    put the gurus in charge
    cuz here comes an instructing hand
    to place upon your lack of plans
    and lead you to the tapes in the garage
    can you guess which false prophet is still at large?

    you fell in love with the woman sent here to kill you
    and now you’ll kill the people that sent her to you
    she’s the sweetest assassin in the states
    has a tattoo of the motto of The Fates

    you were brought here by design and now you’ll live until you die
    you were brought here by design and now you’ll live until you die
    you were brought here by design but don’t take that as a sign
    you were brought here by design and now you’ll live until you die

    you’ll spend the next year always looking over your shoulder
    and combing through the paper for some elusive clue
    you press rewind, and then you press play, then you pause
    it’s time to hear what you thought you lost

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  4. Blank Passports

    if he’s the singer then I’m okay
    let’s walk him out in awkward rain
    and shed the vials and catch the corpse
    it comes again through stain glass doors

    can it spread out? To the street?
    blank passports in the Pennsylvania heat
    well I’m the one who made you that way
    here it comes again unchained and unchanged

    but then serious American composers
    drift into the room
    the world had not heard of them
    said they arrived too soon

    now we’re making a mess of the mountain
    and trashing our rooms
    they call us heirs to the emptiness
    still we whistle their tune

    I heart the great lakes
    I shot the son
    I wore the blindfold
    I fled at dawn
    and caught the visions
    while they’re inert
    it dignifies your bold cohorts

    does it commute? the sentence steep?
    22 years on the Massachusetts street
    well neither pill nor poison control
    can prop up a lifetime dig us out this hole

    but then serious American composers
    drift into the room
    the world had not heard of them
    said they arrived too soon

    now we’re making a mess of the mountain
    and trashing our rooms
    they call us heirs to the emptiness
    still we whistle their tune
    so you’re living like a classical code word
    spoken as one heard
    it uttered from the podium
    and brought down to herd
    and what you should have known in the beginning
    you won’t know till the end
    that the way to the exodus
    is back from where we came

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  5. Allied Lions

    keys to the house
    a map of your room
    there’s nothing left to kill
    there’s nothing more than bring my body home

    deliberate sons brace for the storm
    redact the sinful word
    reduce the thought and bring your body home

    Allied Lions!
    Allied Lions!
    Allied Lions!
    everything’s a dream, except for this moment we’re in now

    let’s examine our pov’s
    that might keep us from doa
    to pulse out sos
    it’s not enough to count on tba

    turn a tanker on ten
    treat the girlfriend’s friends as friends
    reduce this patriot
    I can’t seem to keep my focus clean

    Allied Lions!
    Allied Lions!
    Allied Lions!
    everything’s a dream, except for this moment we’re in now

    keys to the house
    a map of your room
    there’s nothing left to kill
    there’s nothing more than bring my body home

    Allied Lions!
    Allied Lions!
    Allied Lions!
    everything’s a dream, except for this moment we’re in now

    you’ve got to know where you come from
    you’ve got to know where you’re going

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  6. Oxus Pagoda

    it’s true, the signal implodes
    it goes where she goes
    the cogs all march along in perfect single file
    from beyond the grave where dead men relay
    synchronistic poems that call for civil unrest

    and here are the plans that you tied into knots
    and here are the props that were everything but
    so dancing with statues you sweetened the plot
    and this I bring to you
    and this I bring through you

    for days we replayed the play
    on stage after stage
    but never could decide on an intended meaning
    the town was corrupt, demanded of us
    a semi private showing for the master’s daughter

    and here is the scene where I kill every god
    and bury them nameless in cemetery plots
    deliver the news to the public at large
    and this I bring to you
    and this I bring through you

    we walked up to wind chime mountain
    to bury our old postcards
    she said: “I need to tell you
    about the 322 people you meet in purgatory
    and how I got sick of all these guardian angels
    with more problems than me.”

    years before we lived in the hotel we both worked within
    where she attempted to write the great Canadian review
    of the great American novel
    a request from the 1st edition’s introduction:
    the playwright wishes that you harangue the actors
    with pyramid scheme pitches during the encore.
    also a real gun will be randomly fired into the audience
    during intermission.
    please enjoy.

    the curtain came down and the crowd rushed the stage
    we fled towards the airport through gunsmoke and haze
    our passports revoked, the embassy razed
    and this they brought to me, and this they brought through me

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  7. Variations On The Grand National Championships

    I can see you in my telescope
    that punctures time like a needle through paper
    you’re washing dishes during the civil war
    as your husband’s stabbing your dad
    they never met so it’s not even realized
    how heavy truly the moment
    and in the present in a shopping line
    my sugar refuses to scan

    oh, the time has come
    to crash right through the gates of ivory towers
    we must find a way
    to topple all the thrones

    you were right this light it comes from the night
    and takes the shame out of being so latent
    everything that’s been scheduled for you
    you call random and sleep through the days
    so you invest in every angle and hinge
    hoping there’s something to swing from or hide in
    but now there’s nothing but a precipice
    and an old song to sing through the night

    oh, the time has come
    to crash right through the gates of ivory towers
    we must find a way
    to topple all the thrones

    oh the time has come!
    oh the time has come!

    can we quake these tectonic plates?
    would it shake the street that you live on?
    portraits tumble to the hardwood floor
    leaving dents and impressions of me

    I fall asleep on an empty highway
    as my truck crashes into the woodlands
    my feet are caught but I reach the flare gun
    shoot it off but it’s the 4th of July

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  8. Station

    the subpoenas always came in unmarked cruisers
    the fonts were bold and told us what to do
    the schematics we stole were impossible to decipher
    so let’s go downtown and see this whole thing through

    I would feel much better if this day had narration
    as we’re living out some archetype clean and blue
    there are moments here that don’t come from this station
    there are lifetimes here repeated ‘til they’re true

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  9. The Echo Sequence

    casually break my fingers so I can’t work the key
    the master painters all look ashamed
    they don’t know the thrill of a jukebox fade
    church bells ringing out commercials for Jesus
    the future ex-girlfriends all promise to leave us

    I dreamt of this well
    bringing you back to live in burnt out motels
    it’s my junk mail dream to turn this car around
    and drive back down to where my body was found
    they say I was focused on slowing down time
    hands inside the clock when I was hit from behind

    there’s a possibility
    this predictability
    will eventually grow wild and bend
    then I’ll know
    I never meant to meet you
    but that’s what the sequence puts you through

    curse this mind control
    making me leak these ideas so very slow
    I’m an excerpt of an abridged serial
    you never had a job so menial
    to keep track of track of distractions that impede my path
    and pinpoint their origin and slice them in half

    but there’s a possibility
    this predictability
    will eventually grow wild and bend
    for better or worse
    I never called the cab a hearse
    I answered questions with a pause
    and tried to break what you defend
    but ended up drifting far from shore
    washed up in some foreign land
    and tried to find a way back home
    but when I did you shrugged and said
    here’s where the echo sequence ends

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  10. Classic Tapes

    oh we crashed in the ash
    and then the cash of the titans blew out to sea
    but you, you broke out the map
    lead us out of the country
    through the haunted hallway

    I strayed during the ticker tape parade
    you were gathering blank tape
    for the never ceasing project of the documentarian

    my dear, I could drift into backyards
    during nights of no moonlight
    and never reappear
    you know that something
    would grab a hold of me slowly
    make love to me only
    and pull me deep underground

    forever is incomprehensible
    but still attainable
    with a little luck, a lawyer, and a fine tuned radio

    the stop light changes but nothing else does
    it kept me waiting just because
    so delete all your dead friends from you cell phone
    it keeps you inside that certain zone: home
    Om Gam Ganapataye Namaha

    I feel it / I feel it / I feel it / I feel it
    a devil / a devil / a devil / a devil
    or an angel / an angel / an angel / an angel
    nearer and nearer and nearer and nearer

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  11. You Better Hope You (Die Before Me)

    the phone line is broken
    the tapes are all erased
    someone’s at the door
    you know his wares have all been laced
    you better hope you die before me

    if you take it as a compliment
    you’re out of your tree
    the horses are all ready
    and they know as well as me
    that you better hope you die before me

    everybody knows you climb a ladder so well
    impressive demonstrations of your speech and spells
    but you better hope you die before me

    so dress me up in wires
    I’ll plug into the feed
    of blasted out basement shows
    bursting at the seams
    and you better hope you die before me

    the house is infested with
    with pests of every kind
    but at least they have the courtesy
    to stay out of my mind
    you’re broken, alone, down, and undreamed

    you can bang on every wind chime
    or light a torch for me
    or magnify your tiny soul
    with a microscope from me
    and you better hope you die before me

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  12. It Carries Back

    I miss so many people
    it carries back
    there is no re-arrival
    no loophole trap

    explain it backwards for me
    and I’ll be your sweetheart
    without deceit
    no more wars
    I’m a big fan
    it’s a sinking house
    we’ve just begun

    the fog was lifting out of her mouth
    when I awoke
    a fire escape
    or a water arrival
    we’re just bicycle spokes

    churning away the time
    shooting it off to deep space
    well goodbye time
    we loved you well
    you’re still alive
    in the videotape
    and the child’s poem
    we’ve just begun

    take off your jacket
    and black tie
    collapse into a dream
    where the house lifts up
    to the tree tops
    and the clouds begin

    then I make a parachute
    out of the bedding
    and make my stance
    by falling down
    without deceit
    no more wars
    it’s a sinking house
    well goodbye time
    we loved you well
    we’ve just begun
    we’ve just begun

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)

  13. Flight Of The Paper Pilots

    jammed by these satellite signals
    our path now encumbered by clouds
    our secret plans spoken out loud
    the devil’s in the details but
    no one really knew that till now

    you’ve got Everett wearing x-ray glasses
    trying to get off in the sand
    while Casey makes a map of the land
    we get beat up and punched out
    beat up and punched out
    beat up and punched out
    yeah, we almost get gone

    all I need are 8 cups of coffee
    some beer and my cigarettes
    we’ll steer the ship towards the rocky inlets
    behold the cargo in the water — an ocean full of country duets

    “kill me, Captain Courage, I love you
    but my paper pilots are caught in a trap”
    and nothing’s gonna bring them back
    so the obits in the paper detail everything
    that slips through the cracks

    treat me like the probation officer you never had
    i’ll get you work in a book-binding warehouse
    but if you fall across the wayside I really can’t
    be called to repeat what I once screamed

    all these pilots becoming part of my life
    as my old self goes under the knife
    the doctor says, “don’t worry, cuz
    I know this procedure like I know the back of my wife.”
    And that’s pretty damn well

    jammed by these satellite signals
    our path now encumbered by clouds
    our secret plans spoken out loud
    the devil’s in the details but
    no one really knew that till now

    Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)